Nothing Else
Forrest Frank pairs with Thomas Rhett for a radio-friendly crossover single that trades some of his usual lo-fi charm for a bigger, more conventional country-pop frame.

Forrest Frank pairs with Thomas Rhett for a radio-friendly crossover single that trades some of his usual lo-fi charm for a bigger, more conventional country-pop frame.
Forrest Frank built his audience on deliberately lo-fi, almost diaristic Christian pop – a sound closer to a bedroom-recorded TikTok clip than a radio single, which is precisely what made songs like “Your Way’s Better” feel organic rather than engineered. “Nothing Else,” featuring Thomas Rhett, trades a good portion of that rawness for a cleaner, more conventional country-pop production built for mainstream country and Christian radio simultaneously, and the single was added quickly across two dozen stations on that strength.
Rhett’s presence pulls the song further toward Nashville polish than Frank’s solo catalog usually sits, and the pairing mostly works – the two voices complement each other on a chorus built for a wide, communal singalong rather than Frank’s usual close, intimate delivery. What’s lost in the trade is some of the specific, unpolished sincerity that made Frank’s breakout moment feel different from typical Christian-radio product in the first place; this is a well-built, perfectly pleasant genre crossover, not a distinctive one.
It’s a smart commercial move and a competently written song. It just sounds like it’s aiming at a bigger room than the one Frank’s best work has always felt most at home in.
7.0/10 – a successful crossover that trades a little bit of what made Frank interesting for a lot more reach.
Hero image: “Your Way’s Better” single artwork, River House Records. Used under fair use for editorial commentary.
